Author bio:
---------------------------------------
Hi Carol, welcome
over to The Book Plank and for taking your time to answer these few questions
for us.
BP:
First off, could you give us a short introduction as to who Carol K. Carr is?
What are your likes/dislikes and hobbies?
CK: Iāve been a lawyer and corporate executive. Now I work in my pajamas.
Iām a history buff, news junkie and coffee lover. I can hit a lovely nine iron
and shoot a shotgun. Currently trending with me: Jack Black, Penny Dreadful (what
the heck is going on?), S.J. Boltonās latest book and organic facials. If itās
summer, Iāll be drinking a gin and tonic.
BP:
You have been writing for a few years already, do you still know the moment
when you decided that you wanted to become a full time author?
CK: Iād actually characterize it as the moment I decided not to pursue
gainful employment, ever again. I much prefer staring at a blank computer
screen than donning heels, slapping on makeup and being nice to people all day.
But Iām very grateful for that corporate paycheck. It gave me the freedom to
try my hand at this writing thing and work taught me a great deal about the
human condition, which comes in handy when youāre writing about, you know,
people.
BP:
India Black was your first book, what gave you the idea behind the story?
CK: Iām enamored with the history of the British Empire and the Victorian
period. The men and women from that era seem larger than life to me: Benjamin Disraeli,
Richard Burton, Francis Younghusband, Chinese Gordon, and Queen Victoria. They
are so colorful they practically beg to be included in historical fiction. The
most direct source of inspiration for the book, however, was George MacDonald
Fraser and his incomparable creation, Harry Flashman. I just love that
cowardly, womanizing, drunken poltroon of a protagonist. India Black is my pale
imitation of Fraserās character.
BP: India
Black was your debut in fiction, writing a debut is a daunting task, how did
you go about and plan this?
CK: Iām not a pantser. I have to plan everything. This interview, for
example, was on my to-do list for today. I worked from an outline, containing
the major scenes I wanted to write. I didnāt have to do a lot of research. By
the time I was ready to the write the novel, I had a good grasp of the history
of the events discussed in the book. I set a goal for my daily word count, and
try to achieve that. For the first book in the series, I was writing around
2,000 words per day. Since then, Iāve cut back to 1,000, with more time spent
editing and proofing the dayās word count. That saves a bit of time in the
final editing process.
BP:
The third book in the Madame of
Espionage series will be published soon, had you gained valuable experience
from the others that you are using when you plan to write a new addition to the
series?
CK: Oh, most definitely. Writing is like any other skill: it improves with
practice. I certainly feel more
confident with most of the technical aspects of writing, such as
characterization, narrative structure and the arc of the story. Iāve always
felt very comfortable with writing India in the first person. Her views and
mine are the same. Her voice belongs to me. Writing her gets easier with each
book. Iāve also learned that if my instinct tells me to change, delete or add a
scene, or revise dialogue because it doesnāt sound right for a particular
character, then I should do what my instinct prescribes. In other words, I can
more easily see what is natural to the story and what isnāt. If it doesnāt feel
āorganicā to the final product, it needs to come out.
BP: India
Black and the Shadows of Anarchy is out June 13th, if you would have
to sell your book with a single sentence, how would it go?
CK: Brothel owner infiltrates a nest of anarchists at the request of the
Prime Minister, and hilarity ensues.
BP:
Did you encounter specific problems when you were writing any of the India
Black stories?
CK: Writerās block? No, that was never a problem. Difficulties with
research? Nope. Oh, yes. My house burned down when I was halfway through the
first book. The restoration company was able to salvage the hard drive from my computer
and after months of living in a hotel and surviving a remodel, I was able to
finish the story. If I had had to start over on the book, I probably wouldnāt
have. India owes her existence to a computer nerd in a windowless office in the
American Midwest.
BP:
What has been the hardest part when you were writing the India Black stories?
CK: The most difficult part is making myself start writing each day. I can
think of a million things Iād rather be doing. Checking email. Looking at
Facebook. Watching music videos on YouTube. In a pinch, Iāll even do housework.
But once I finally fire up the computer, I donāt usually have a problem
churning out the words.
BP:
Besides the hardest part of the book, which chapter/scene did you enjoy writing
about the most?
CK: I have a fondness for certain characters. I like writing Mrs.
Drinkwater, Indiaās cook. I enjoy the Marchioness of Tullabardine, who has
developed into the bane of Indiaās existence. I always enjoy penning Indiaās
observations about politics. And because I spent several years in Human
Resources, I get a ridiculous amount of pleasure from writing about Indiaās
philosophy of employee management. Itās a tricky area, considering that we are
talking about tarts.
BP: If
you would be given the chance to rewrite any particular scene of any of the India
Black and the Shadows of Anarchy before it hits the shelves this June, would
you do so? If yes, which part and why?
CK: Iām a perfectionist, so Iāve never written anything that completely
satisfies me. Thereās no specific scene Iād rewrite, but you can bet Iād go
over the thing with a fine-toothed comb, and eliminate a word here, a sentence
there.
BP:
Will The fourth book in the Madame of Espionage series will be out later in
August this year, will you be adding more books to the series?
CK: I have ideas aplenty for future books. Iād like to drop India, French
and Vincent into the Anglo-Zulu War. A visit to India (the country) would be
delightful. Given the scope of Britainās global interests during the Victorian
era, I can find quite a few things for India to do.
BP: Do
you have any other projects that you would like to pursue?
CK: Iāve got more ideas than time. At the moment, Iām working on a couple
of thrillers with female protagonists that make India look like a sober,
well-adjusted woman. Then thereās the World War II espionage novel Iād like to
write. And thereās always a short story brewing.
BP:
What do you like most about historical fiction?
CK: Hello? History buff here. When itās done well, historical fiction is
utterly enchanting to people like me. If you can write a piece of fiction that
convinces me that I have dropped into Edwardian England, for example, or
America during the Civil War or a French castle in the Middle Ages, for the
duration of the book, Iām yours. Give me the sights, sounds and smells. Create
characters who think and speak in the language of the time. Make them men and
women of their age, but show me the commonality they share with their modern
counterparts. In other words, make history come alive.
BP: If
you would have to give you top 5 favourite books, which would they be?
CK: Sob. I canāt possibly limit myself to five books. Iāll try, but Iām
going to cheat a little by including some authors in the list. Here goes:
Dickens, for his stunning
characters who illustrate the sweeping variety of human types
Mark Twain, the
most American of authors. My favorite: Letters
From Earth.
Hilary Mantel ā Wolf Hall. Historical fiction at its
best.
Sarah Caudwellās
mysteries. I like to laugh. These make me laugh. A lot.
Ruth Dudley
Edwardsās series featuring Jack Troutbeck. How I wish Iād written these.
BP:
And just lastly, can you give us a sneak peak as to what will be in store for
the readers of Madame of Espionage series?
CK: As you know, the fourth book will be out later this year. India
encounters an old flame and learns the secret (well, part of it) of her past.
And she has to deal with a pregnant collie. Good times!
BP:
Thank you very much for your time Carol and good luck with your future writing
projects!
Comments
Post a Comment