Author interview with Carrie Patel
Author bio:
Author bio:
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Hi Carrie, welcome over to The Book Plank and
for taking your time to answer these few questions for us.
BP:
First off, could you give us a short introduction as to who Carrie Patel is?
What are your likes/dislikes and hobbies?
CP: I’m a reader, a writer, and a Texan living in California! I like good
stories, good beer, and people with whom I can enjoy the same. When I’m not
nose-deep in a book, I enjoy gaming, travel, and snow skiing.
BP:
You have been writing for many years already, do you still know the moment when
you decided that you wanted to become a full time author?
CP: By most definitions, I’m not really a full-time
author now (although I am a full-time writer). I work as a narrative designer
for Obsidian Entertainment, a video game developer, which means I do a lot of
writing for in-game dialogue and quest narrative. Honestly, the balance works
really well for me—in my day job, I get to do collaborative work in an
environment where I have feedback (and human interaction!), and in my off-time,
I’m able to work on my own stories and characters.
BP: The
Buried Life is your debut in the fantasy fiction, writing a debut is a daunting
task, how did you went about and plan this?
CP: If only I’d had a plan…. I had an idea for a story I wanted to tell and
realized that the only way I’d get it out was by sitting in front of my
computer and banging out 90,000 words or so. After I’d done that, I realized
the only way I’d make it worth anyone’s read was by revising and editing. And
here we are, a few years later, with a book (almost!) on the shelves. Any
appearance of careful planning is, I promise, completely accidental.
BP:
The Buried Life is your first fantasy book, what gave you the idea behind the
story?
CP: A trip to Argentina, some questionable empanadas, and a very long bus
ride. You hear lots of people say that their best ideas come to them in the
shower, and there’s something to be said for the creative meandering the brain
does when it doesn’t have something concrete to fixate on. It was a study
abroad trip and probably my first real opportunity to travel somewhere without
any ties to family and friends, so my untethered brain started telling stories
about the new places around me.
BP:
The Buried Life is out August 7th later this year, if you would have
to sell your book with a single sentence, how would it go?
CP: An inspector and a laundress chase a killer and uncover the secret
history of an underground city.
BP:
Did you encounter specific problems when you were writing The Buried Life?
CP: Since this was my first serious attempt at writing a book, it was a big
learning process. Each new draft was a matter of finding out what I was capable
of as a writer and what I’d need to learn next. It was challenging but also
exciting.
BP:
What was the hardest part when you were writing The Buried Life?
CP: Dialogue. At first, anyway. Writing dialogue that felt both natural and
in-character was extremely difficult in the first couple of drafts. I’ve heard
the same complaint from other writers starting out. It’s easy for dialogue to
go wrong in any number of ways—it’s stilted, the voice is indistinguishable
from the narrator’s, it’s overly expository. Reading aloud is one of the best
cures, because it becomes pretty obvious when the words coming out of your
mouth or not something any human being would actually say to another.
BP:
Besides the hardest part of the book, which chapter/scene did you enjoy writing
about the most?
CP: Once I got comfortable writing dialogue, I enjoyed writing every scene
with Roman Arnault and Liesl Malone. They have such a strong antipathy, such
opposite personalities, and such capacities for snark (Roman in particular)
that it was always entertaining to put them in a room and watch them
arm-wrestle it out.
BP: If
you would be given the chance to rewrite any particular scene of The Buried
Life before it hits the shelves in August, would you do so? If yes, which part
and why?
CP: I don’t think so. In the many revisions and re-revisions, I had the
chance to polish as I wanted. It’s easy to look back at your work and see all
of the things you could change, the vast and minute improvements you could
make, and what you might do with one more round of revisions, but that way lies
madness. I’m happy with the final product and thrilled to finally share it with
readers.
BP:
Will The Buried Life is the first book in a series, have you already mapped out
how many books will follow?
CP: I’m working on Cities and Thrones,
which is the immediate sequel, and I’m planning on a third to cap off the
series.
BP: Do
you have any other projects that you would like to pursue now that The Buried
Life will be published?
CP: Other than the sequels, I have a near-future science fiction novel
about bare-branches youths from India and China and a corporate scheme for
terraforming Mars. It’s actually what I was working on when I sold The Buried Life, and I’m really looking
forward to finishing it.
BP:
Everyone enjoys science fiction and fantasy in their own way, what do you like
most about it?
CP: It’s a fantastic medium for taking stories we know and questions we’ve
heard and presenting them in a new light. I think science fiction (including a lot
of science fiction television) probably has more of a reputation for this, but
at the end of the day, when you strip away the monsters and magic, you have
stories about characters dealing with problems that are somehow familiar to all
of us. Yet seeing them in a new setting allows the reader to distance herself
from many of her biases and to experience these stories afresh.
BP: If
you would have to give you top 5 favourite books, which would they be?
CP: The Name of the Rose by
Umberto Eco, Smilla’s Sense of Snow
by Peter Høeg, Snow Crash by Neal
Stephenson, The Left Hand of Darkness
by Ursula K. Le Guin, and A Song of Ice
and Fire by George R. R. Martin (I’m bundling these all into one).
BP:
And just lastly, can you give us a sneak peak as to what will be in store for
the readers of The Buried Life?
CP: Mystery. Mayhem. Underground cities. Plucky laundresses, dogged
inspectors, and charming rogues.
BP:
Thank you very much for your time Carrie and good luck with your future writing
projects!
CP: Thank you so much!
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